Angled walls and shallow pools reflect sound in the manner of ancient performances. Ramp/terraces provide impromptu spaces for performance and celebration while recalling the origins of Chinese Opera where nature Pools of water and a bamboo stage along the ascending Of Chinese Opera as the “pear garden profession” of the Tang Dynasty. Turandot from Puccini’s Opera – a linear “costume” draped over marble terraces to shelter circulation. Like a geode, the crystalline lining inside the Opera House is a physical extension of theĮnvironmental glass canopy that ascends the folded marble terraces defining the processional journey – a gestural mark, the veil of
Suggestive of a moon gate creates a threshold marking a perceptual shift in the cinematic spatial journey where audience and performer Folded, ramped terraces of Taroko Gorge marble define a processional ascent to performance. The Opera House has a strong 3-D presence and is devoid of a conventionalįront and back reading. Viewed from thousands of vantage points in the residential towersĪbove, theater rituals and processions are a dynamic event. In the city, paralleling Taiwan as metamorphic island, a new marble and crystalline Opera House rises from the urban park settingĬreating a celebratory, glowing event on the Taichung skyline. Taichung - the spiritual and physical heart of the urban park setting. This build up, manifested as earth mounds, fades as it moves away from the main building, radiating like waves.Taichung Metropolitan Opera House Taichung, Taiwan The landscape emerges from the ground to merge with the building. The black box theatre is elevated on the west side, allowing the main foyer to slip underneath and accommodating the secondary west entrance. The three auditoriums are clustered around this main foyer, with the grand auditorium on the south of the building and the playhouse on the north. The corners of the site are areas of interchange, where urban flows aggregate and reorganise themselves, serving as a kind of elevated urban plaza. The strong civic axis and secondary corridor defined by the Shin Kong Mitsukoshi department store set out the primary framework for the treatment of the site, while secondary influences further shape the implicit flows around it. Leading up to this entrance is a large ramp that swoops around the side of the building, taking people up from the southern edge of the site where the car and bus drop-off is located. The main entrance to the opera house is aligned with the cultural axis, facing southeast towards the intersection of the two axes. The municipal axis runs from northeast to southwest, punctuated by the proposed new City Hall. The Taichung Metropolitan Opera House will define the cultural axis, running from northwest to southeast, occupying two parcels. The Civic District is largely a new development defined by a regular grid of streets differentiated by two axes a cultural axis and a municipal axis. A restaurant, gift shop, café and audience care facilities are also included in the programme. The Taichung Metropolitan Opera House hosts a 2009 seat Grand Auditorium, an 800 seat drama theatre and a 200 seat black box theatre, as well as artists’ and crafts workshops and retail shops.
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